A Knight of the Seven Kingdoms
A century before the events of Game of Thrones, two unlikely heroes wandered Westeros: a young, naive but courageous knight, Ser Duncan the Tall, and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the last dragon has not yet passed from living memory, great destinies, powerful foes, and dangerous exploits await these improbable and incomparable friends.
Episodes
The Hedge Knight
On his journey to the forthcoming tournament in Ashford, Dunk meets a clever young boy named Egg, who offers to…
Hard Salt Beef
Dunk appeals to various lords in order to gain entrance into the tournament...but Egg advises him to hold onto his…
The Squire
After Egg attempts to train Dunk's uncooperative horse, Dunk teaches his new squire an important skill. As they take in…
Seven
After landing himself in the Targaryens' crosshairs, Dunk exercises his right to request a trial by combat.
In the Name of the Mother
Dunk finds himself drawn to the promise of a new future.
The Morrow
The people of Ashford mourn a significant loss following the tournament; Dunk reflects on his future and evaluates his responsibilities…
IDOLSPOILER.COM Review
"A Knight of the Seven Kingdoms" arrives in 2026 not just as another prequel, but as a deliberate excavation of Westeros's soul. This six-episode season, rated a respectable 8.5, dares to strip away the grand-scale politicking of its predecessor to focus on something more intimate: the very essence of knighthood and identity.
The series triumphs in its direction, which eschews the sweeping, often chaotic battles for a more grounded, almost cinematic intimacy. Each frame, particularly in the early episodes, feels meticulously composed, allowing the raw, untamed landscapes of Westeros to breathe as much as the characters. Cinematography plays a crucial role here, employing a palette that feels both vibrant and subtly melancholic, hinting at the fading glory of the Targaryen era even as their dragons are a recent memory. It’s a visual language that speaks of dusty roads and quiet determination.
Peter Claffey’s Ser Duncan is a revelation. He embodies a naivety that could easily tip into caricature, yet Claffey imbues him with an earnestness that anchors the series. His performance is a masterclass in understated vulnerability, allowing us to see the man beneath the imposing height. Dexter Sol Ansell’s Egg, while charming, occasionally veers into the precocious, a narrative shortcut that feels less earned than Duncan’s gradual maturation.
Where the series falters slightly is in its pacing. While the episodic nature allows for character development, certain plotlines, particularly those involving "powerful foes," feel compressed. The screenplay, while generally sharp, occasionally relies on familiar fantasy tropes to propel the narrative, rather than fully exploring the nuanced moral landscape that George R.R. Martin’s world often promises. Daniel Ings, as a secondary character, delivers a performance that hints at greater depth, but the limited runtime restricts his full artistic potential.
Ultimately, "A Knight of the Seven Kingdoms" is a thoughtful, character-driven piece that reminds us that heroism isn't always about thrones and dragons, but often about the quiet courage of two unlikely friends navigating a world on the cusp of change. It’s a series that respects its lineage while carving out its own distinct, artful niche.





